Curriculum Vitae
| 1962 | born in Bünde, lives and works in Berlin |
| 1995–1997 | Master class of Prof. Heinz Emigholz and Prof. Valie Export, Universität der Künste, Berlin |
| 1994–1995 | Central Saint Martins University of the Arts, Critical Fine Art Practice, London |
| 1989–1995 | Universität der Künste, Experimental Media Art, Berlin |
| 1989–1995 | Trained and worked as a goldsmith |
Stipends, Grants, Awards and Residencies
| 2022 | Work stipend, BKM Neustart Kultur & DKB |
| 2021 | Work stipend, glass – hand formed matter, KHB |
| 2021 | Project grant, Medienbord Berlin Brandenburg |
| 2021 | Project grant, Alexander Tutsek-Stiftung, München |
| 2020 | Website grant, BBK Neustart Kultur, BKM, Berlin |
| 2019 | Artistic research stipend, Senate Department for Culture and Europe, Berlin |
| 2018 | Cultural exchange stipend of the Federal State of Berlin, Cité internationale des arts, Paris |
| 2017 | Work stipend, Stiftung Kunstfonds, Bonn |
| 2015 | Work stipend, Foundation of Lower Saxony at the Edith-Russ-Haus for Media Art, Oldenburg |
| 2015 | Work stipend, Film / Video, Senate Department for Culture and Europe, Berlin |
| 2012 | Artist residency, Stiftung Künstlerdorf Schöppingen |
| 2010 | Catalog grant, Senate Department for Culture and Europe, Berlin |
| 2010 | Media award “Art of Engineering” |
| 2009 | Project stipend, Kunsthaus Kloster Gravenhorst |
| 2007 | Project grant, Medienbord Berlin Brandenburg |
| 2006 | Project grant, Hauptstadtkulturfonds, Berlin |
| 2006 | Project grant, Kunststiftung NRW |
| 2006 | Project grant, Film / Video, Senate Department for Culture and Europe, Berlin |
| 2005 | Work stipend, Senate Department for Culture and Europe, Berlin |
| 2003 | Project stipend, Goldrausch Künstlerinnenprojekt, Berlin |
| 2001–2003 | Studio grant, Karl Hofer Gesellschaft, Berlin |
| 2001 | Subtitle grant, Film / Video, Senate Department for Culture and Europe, Berlin |
| 2001 | Short film grant, Habillage, ARTE |
| 2000 | Film grant, ZDF – Das kleine Fernsehspiel |
Artistic Research
| 2012–2015 | Artistic concept for the project proposal MANUACT “Hands and Objects in Language, Culture, and Technology: Manual Actions at Workplaces between Robotics, Gesture, and Product Design,” funded by the Federal Ministry of Education and Research, BMBF, at the Institute for German Studies and Intercultural Communication, TU Chemnitz |
| 2011–2012 | Artist in Residence at the Cluster of Excellence “Integrative Production Technologies,” in cooperation with the Chair for Künstlerische Gestaltung, the Institute for Textil Technology and the Natural Media Lab – Human Technology Centre, HumTec, RWTH Aachen University |
Solo Exhibitions (Selection)
| 2024 | TWIST, ZAK-Zentrum für Aktuelle Kunst, Berlin |
| 2023 | Enzyklopädie der Handhabungen: Braiding Gazes, Dazibao, Montréal; part of Momenta Biennale de l’image 2023, curated by Ji-Yoon Han |
| 2021 | Techno Textiles, Scharaun, Berlin |
| 2019 | Trading Zones, Institute for Contemporary Art Research, ZHdK, Zürich |
| 2017 | Pattern in Motion, Kunsthaus Dresden/Kunstgewerbemuseum |
| 2016 | Captured Motion, Haus am Lützowplatz, Berlin |
| 2013 | Poesie & Industrie, Bauhaus-Archiv, Berlin, with Barbara Schmidt |
| 2011 | Arbeits- und Verwendungsformen, Kunstraum Tosterglope |
| 2009 | Hand and Work, Gesture and Imprint, Kunsthaus Kloster Gravenhorst |
| 2008 | Griffformen, Cluster, Berlin |
| 2006 | Enzyklopädie der Handhabungen. Modul # 1–7, Museum für Kommunikation, Berlin |
| 2006 | Senatsstipendiaten/05, Kunstbank Berlin, with Susanne Pomrehn |
| 2005 | Piano-Archive-Hearing Voices, ETA Project Space, Brighton, with Giles Drayton |
| 2005 | Capri LI, Capri, Berlin, with Petra Trenkel |
| 2001 | 16 Traumstücke, Video, 51 min, ZDF–Das kleine Fernsehspiel |
Group Exhibitions (Selection)
| 2024 | Changing Tides, rk-Galerie, Berlin |
| 2023 | Gastarbeiterinnen, Kurt–Kurt, Berlin |
| 2023 | glass – hand formed matter, Finnish Glass Museum, Riihimäki |
| 2023 | glass – hand formed matter, Kunststiftung Sachsen-Anhalt, Halle |
| 2022 | glass – hand formed matter, Glass Factory Museum, Boda Glasbruk |
| 2022 | ausgespielt, Kunsthalle Bahnitz |
| 2022 | glass – hand formed matter, Kunstforum Gotha |
| 2022 | glass – hand formed matter, Bröhan-Museum, Berlin |
| 2021 | Der Komplex Arbeit, Kino Siemensstadt, Berlin |
| 2021 | Reading Window, RL 16, Berlin |
| 2018 | Im Schwarm der Objekte, Galerie Cité Internationale des Arts, Paris |
| 2018 | Pattern in Motion, Public Installation, Cité Internationale des Arts, Paris |
| 2017 | Gesten, Industriemuseum Chemnitz/Ars Electronica Futurelab, Chemnitz |
| 2017 | Skills, Kunsthalle Bennabor, Brandenburg |
| 2017 | Textile Matters, Maximilians Forum, München |
| 2017 | atb #66, After the Butcher, Berlin |
| 2016 | Women at Work, Edith-Russ-Haus, Oldenburg |
| 2016 | Monitoring, 33. Dokfest, Kulturbahnhof Kassel |
| 2016 | uni-form?, Haus der Brandenburgisch-Preußischen Geschichte, Potsdam |
| 2013 | Beautiful Minds, Kunst-Parcours, Campus Nord, Humboldt-Universität zu Berlin |
| 2013 | Cumuli. Zum Sammeln der Dinge, Kunstverein am Rosa-Luxemburg-Platz, Berlin |
| 2012 | Landscape of the Mind, Katherine E. Nash Gallery, Minneapolis |
| 2012 | Figur & Gestus, Kunstverein Zwischenzeit, Basel |
| 2011 | Paper Files, Galerie oqbo, Berlin |
| 2010 | Motorenwerke # 2, Galerie oqbo, Berlin |
| 2010 | Art of Engineering, Deutsches Technikmuseum, Berlin |
| 2009–2012 | Colossal – Art Fact Fiction, XII – Tuchmacher Museum Bramsche , Osnabrück |
| 2008 | 16 Traumstücke, M.1 Arthur Boskamp-Stiftung, Hohenlockstedt |
| 2008 | Die Hände der Kunst, Museum Marta Herford |
| 2008 | Existence in a Letter, Cluster, Berlin |
| 2008 | Hand-haben, Maschinenhaus and Kunsthalle, Kiel |
| 2007 | Monitoring, 24. Dokfest, Kulturbahnhof Kassel |
| 2007 | OWL1, Museum Marta Herford |
| 2007 | Work in Progress, Kulturstiftung des Bundes: Arsenal – Institut für Film und Videokunst, Berlin |
| 2007 | Work in Progress, Galerie Alter Wiehrebahnhof Freiburg |
| 2007 | Work in Progress, Filmhaus Nürnberg |
| 2007 | Work in Progress, Kunsthaus Erfurt |
| 2006 | Between Body and Object, Museum Marta Herford |
| 2004 | Uwaga Berlin!, Baszta Czarownic, Video Lounge, Slupsk |
| 2003 | Goldrausch/03, Kunstraum Kreuzberg, Berlin |
Lectures, Artist Talks, Screenings
| 2024 | ZAK-Zentrum für Aktuelle Kunst, Berlin, “TWIST,” Artist Talk with Dr. Jasmin Mersmann and Anette Rose |
| 2024 | ZAK-Zentrum für Aktuelle Kunst, Berlin, “TWIST,” Artist Talk with Dr. Hanne Loreck and Anette Rose |
| 2023 | Dazibao, Montréal, “Enzyklopädie der Handhabungen: Braiding Gazes,” Artist Talk with Dr. Ji-Yoon Han and Anette Rose |
| 2023 | Kunststiftung Sachsen-Anhalt, Halle, “Glowing Matter,” Artist Talk with Prof. Dr. Hanne Loreck and Anette Rose |
| 2023 | Graphische Sammlung, ETH Zürich, “On Observing,” Talk with Prof. Dr. Michael Hagner, Anette Rose, Prof. Christoph Schenker, Thomi Wolfensberger |
| 2021 | Scharaun, Berlin, “Motion Studies,” Talk and screening with Andreas Bunte, Tom McCarthy & Anette Rose |
| 2019 | ZHdK, Zürich, Institute for Contemporary Art Research, “Capture, record and play,” (Lecture series: Working with the Camera at the Interface of Art and Ethnography), Lecture and Screening |
| 2017 | HfBK Dresden/Kunsthaus Dresden, “Pattern in Motion,” (Colloquium: The event of a thread), Lecture and Screening |
| 2017 | Kunsthaus Dresden/Kunstgewerbemuseum Dreden, “Pattern in Motion,” Artist Talk and Screening |
| 2017 | School of the Art Institute of Chicago, “The Implizit Knowlege of Labor,” Lecture and Screening |
| 2017 | Maximilians Forum, München, “How to Capture Textile Processes,” Artist Talk and Screening |
| 2016 | Edith-Russ-Haus für Medienkunst, Oldenburg, “Captured Motion,” Artist Talk |
| 2016 | HfBK Dresden, “Formen der Sichtbarmachung,” Lecture and Screening |
| 2014 | Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie, IKKM, Weimar “Techno-textiles: Between Hand Gestures and Machine Operations” (Annual Topic 2014/15: Framing/Sewing), Artist Talk with Carmen Alfaro Giner, Birgit Schneider and Iris Tzachili |
| 2013 | LMU, München, PhD Program ProArt, “Wie Kunst Wissen schafft” (Interdisciplinary Symposium: LaborARTorium), Lecture and Screening |
| 2013 | HU Berlin, Institut für Kulturwissenschaft, “Gesten, Gebärden, Handhabungen” (MA class, taught with Dr. Jasmin Mersmann) |
| 2013 | TU Dresden, Gesellschaft für Technikgeschichte, “Synchronisation at Work” (22. Annual conference: Die Sinnlichkeit der Technik), Lecture and Screening |
| 2013 | WHZ Zwickau, Fakultät für Angewandte Kunst, “Zwischen Hand, Werkzeug und Objekt,” (Interdisciplinary conference – Design-Erkundungen: Dinge im Kontext. Artefakt, Handhabungen und Handlungsästhetik), Lecture and Screening |
| 2013 | RWTH Aachen, HumTec Centre, “Gestures at work. In-Sync. On the coordination of hands, eyes, and materials in manual and industrial production processes and their asthetic representation” (Workshop: Gestures at Work), Lecture and Screening |
| 2012 | Europa-Universität Viadrina, Frankfurt / Oder, International Society for Gesture Studies, “16 Traumstücke” and “Enzyklopädie der Handhabungen” (4. International conference: Gesture – Evolution, Brain, and Linguistic Structures), Lecture and Screening |
| 2012 | RWTH Aachen, FB Künstlerische Gestaltung, “Greifen, betrachten und begreifen”, Lecture and Screening |
| 2010 | Europa-Universität Viadrina, Frankfurt/Oder, “Enzyklopädie der Handhabungen” (Gesture – Evolution, Brain, and Linguistic Structures), Lecture and Screening |
| 2008 | Universität Stuttgart, Deutsche Gesellschaft für Semiotik, Kulturwissenschaft, “Gestures” (12. International Semiotic Congress: The Concrete as Sign), Lecture and Screening |
| 2002 | Universität Hamburg, International Association of Word and Image Studies, “16 Traumstücke” (6. Konferenz: Orientations – Word & Image), Lecture and Screening |
| 2002 | University of Texas at Austin, First Congress of the International Society for Gesture Studies, “16 Traumstücke” (1. Kongress: Gesture – The Living Medium), Screening and Lecture |
Publications
| 2022 | Capture, Record and Play. Interview with Christoph Schenker and Anette Rose. In: Barbara Preisig/Laura von Niederhäusern/Jürgen Krusche (eds.): Trading Zones. Camera Work in Artistic and Ethnographic Research. Berlin: Archive Books 2022, pp. 50–67. |
| 2017 | Captured Motion, Berlin 2017. |
| 2015 | Anette Rose: Sichtbarmachung als Wissensproduktion. Zur künstlerischen Methode der Enzyklopädie der Handhabungen. In: Anna-Sophie Jürgens/Tassilo Tesche (eds.): LaborARTorium. Eine Medothodenreflexion, Bielefeld: transcript 2015, pp. 199–212. |
| 2015 | Anette Rose: Zwischen, unter, entlang und ringsherum. Zur Enzyklopädie der Handhabungen. In: Thomas Pöpper (ed.): Dinge im Kontext, Berlin/Boston: De Gruyter 2015, pp. 98–104 (text), pp. 106–117 (image series). |
| 2012 | Anette Rose: Greifen, betrachten und begreifen. In: Thomas H. Schmitz/Hannah Groninger (eds.): Werkzeug – Denkzeug. Manuelle Intelligenz und Transmedialität kreativer Prozesse, Bielefeld: transcript 2012, pp. 223–245. |
| 2011 | Enzyklopädie der Handhabungen. 2006–2010, Bielefeld: Kerber 2011. |
| 2003 | Ich fürchte, ich bin im Bild, Berlin: Goldrausch Künstlerinnenprojekt 2003. |
Reviews and Catalogue Texts
| 2023 | Ji-Yoon Han: Enzyklopädie der Handhabungen. Braiding Gazes. In: Momenta Biennale de l’image (ed.): Masquerades. Drawn to Metamorphosis. Bielefeld/Berlin: Kerber 2023, pp. 92–95. |
| 2022 | Kunstverein Bahnitz (ed.): ausgespielt, Bahnitz 2022, pp. 50–53. |
| 2022 | Anette Rose: Glowing Matter. In: Barbara Schmidt (ed.): glass – hand formed matter. Berlin 2022, pp. 154-155. |
| 2019 | Ines Lindner: Captured Motion. Bewegungsnotationen im Raum. In: Jana Bressem/Ellen Fricke (eds.): Gesten. Chemnitz: Universitätsverlag 2019, pp. 150–157. |
| 2018 | Judith Pichlmüller: Captured Motion. In: Kunst im Traklhaus (ed.): Im Schwarm der Objekte. Salzburg 2018, pp. 5–6. |
| 2017 | Jasmin Mersmann: Notationen in Bewegung. In: Anette Rose (ed.): Captured Motion, Berlin 2017, pp. 1,12. |
| 2016 | Vanja Sisek: Captured Motion. In: Edith-Russ-Haus für Medienkunst (ed.): Women at Work, Oldenburg 2016, pp. 13–16. |
| 2013 | Vanja Sisek: Enzyklopädie der Handhabungen. Modul # 15. In: Kleine Humboldt Galerie (ed.): Beautiful Minds, Berlin 2013, pp. 26–27. |
| 2012 | Ines Lindner: Synchronizations at Work. Anette Rose’s Encyclopaedia of Manual Operations In: Philippe Despoix/ Nicolas Donin (eds.): synchroniser/synchronizing. Intermédialités. Histoire et théorie des arts, des lettres et des techniques 19 (2012), pp. 157–159 (text), pp. 161–175 (image series, guest artist: Anette Rose). |
| 2011 | Isabella Hammer: Teure Damen, billige Schirme. Beobachtungen über Handfertigkeiten. In: Barbara Buchmaier/Andreas Koch (eds.): von hundert 7(2011), pp. 26–37. |
| 2011 | Ines Lindner: Minimalismus reloaded. Zur Typologie sozialer Tatsachen in Anette Roses Enzyklopädie der Handhabungen. In: Anette Rose (ed.): Enzyklopädie der Handhabungen. 2006–2010, Bielefeld: Kerber 2011, pp. 6–9, pp. 10–13 (engl.). |
| 2009 | Ines Lindner: Hand und Auge. Zur Enzyklopädie der Handhabungen. In: Landschafts- verband Osnabrücker Land e.V. (ed.): Colossal – Kunst Fakt Fiktion, Curator: Jan Hoet, Bramsche: Rasch 2009, pp. 206–213. |
| 2007 | Jule Reuter: Enzyklopädie der Handhabungen. In: Marta Herford (ed.): OWL1, Bielefeld (Kerber Verlag) 2007, pp. 69–73. |
| 2007 | Freunde der deutschen Kinemathek e.V. (ed.): Work in Progress, Berlin (b_books) pp. 304, 308. |
| 2006 | Jan Hoet: Videokunst zwischen Fremdheit und Begierde. In: Marta Herford (ed.): Zwischen Körper und Objekt, Herford 2006, pp. 6–7, pp. 38–39. |
| 2003 | Ines Lindner: Entfalten medialer Situationen. In: Goldrausch Künstlerinnenprojekt (ed.): Ich fürchte, ich bin im Bild, Berlin 2003, pp. 18–25. |
| 2003 | Christian Hanussek: what you lose on the swings, you gain on the roundabouts. In: Rüdiger Tomczak (ed.): shomingeki, film magazine No. 13/14, Berlin 2003, pp. 66–70. |
| 2001 | Petra Wezel: Im heimlichen Winkel der Seele. 16 Traumstücke. In: taz, 26. 02.2001, p. 12. |