Curriculum Vitae

1962	born in Bünde, lives and works in Berlin
1995–1997	Master class of Prof. Heinz Emigholz and Prof. Valie Export, Universität der Künste, Berlin
1994–1995	Central Saint Martins University of the Arts, Critical Fine Art Practice, London
1989–1995	Universität der Künste, Experimental Media Art, Berlin
1989–1995	Trained and worked as a goldsmith

Stipends, Grants, Awards and Residencies

2022	Work stipend, BKM Neustart Kultur & DKB
2021	Work stipend, glass – hand formed matter, KHB
2021	Project grant, Medienbord Berlin Brandenburg
2021	Project grant, Alexander Tutsek-Stiftung, München
2020	Website grant, BBK Neustart Kultur, BKM, Berlin
2019	Artistic research stipend, Senate Department for Culture and Europe, Berlin
2018	Cultural exchange stipend of the Federal State of Berlin, Cité internationale des arts, Paris
2017	Work stipend, Stiftung Kunstfonds, Bonn
2015	Work stipend, Foundation of Lower Saxony at the Edith-Russ-Haus for Media Art, Oldenburg
2015	Work stipend, Film / Video, Senate Department for Culture and Europe, Berlin
2012	Artist residency, Stiftung Künstlerdorf Schöppingen
2010	Catalog grant, Senate Department for Culture and Europe, Berlin
2010	Media award “Art of Engineering”
2009	Project stipend, Kunsthaus Kloster Gravenhorst
2007	Project grant, Medienbord Berlin Brandenburg
2006	Project grant, Hauptstadtkulturfonds, Berlin
2006	Project grant, Kunststiftung NRW
2006	Project grant, Film / Video, Senate Department for Culture and Europe, Berlin
2005	Work stipend, Senate Department for Culture and Europe, Berlin
2003	Project stipend, Goldrausch Künstlerinnenprojekt, Berlin
2001–2003	Studio grant, Karl Hofer Gesellschaft, Berlin
2001	Subtitle grant, Film / Video, Senate Department for Culture and Europe, Berlin
2001	Short film grant, Habillage, ARTE
2000	Film grant, ZDF – Das kleine Fernsehspiel

Artistic Research

2012–2015	Artistic concept for the project proposal MANUACT “Hands and Objects in Language, Culture, and Technology: Manual Actions at Workplaces between Robotics, Gesture, and Product Design,” funded by the Federal Ministry of Education and Research, BMBF, at the Institute for German Studies and Intercultural Communication, TU Chemnitz
2011–2012	Artist in Residence at the Cluster of Excellence “Integrative Production Technologies,” in cooperation with the Chair for Künstlerische Gestaltung, the Institute for Textil Technology and the Natural Media Lab – Human Technology Centre, HumTec, RWTH Aachen University

Solo Exhibitions (Selection)

2023	Enzyklopädie der Handhabungen: Braiding Gazes, Dazibao, Montréal; part of Momenta Biennale de l’image 2023, curated by Ji-Yoon Han
2021	Techno Textiles, Scharaun, Berlin
2019	Trading Zones, Institute for Contemporary Art Research, ZHdK, Zürich
2017	Pattern in Motion, Kunsthaus Dresden/Kunstgewerbemuseum
2016	Captured Motion, Haus am Lützowplatz, Berlin
2013	Poesie & Industrie, Bauhaus-Archiv, Berlin, with Barbara Schmidt
2011	Arbeits- und Verwendungsformen, Kunstraum Tosterglope
2009	Hand and Work, Gesture and Imprint, Kunsthaus Kloster Gravenhorst
2008	Griffformen, Cluster, Berlin
2006	Enzyklopädie der Handhabungen. Modul # 1–7, Museum für Kommunikation, Berlin
2006	Senatsstipendiaten/05, Kunstbank Berlin, with Susanne Pomrehn
2005	Piano-Archive-Hearing Voices, ETA Project Space, Brighton, with Giles Drayton
2005	Capri LI, Capri, Berlin, with Petra Trenkel
2001	16 Traumstücke, Video, 51 min, ZDF–Das kleine Fernsehspiel

Group Exhibitions (Selection)

2023	Gastarbeiterinnen, Kurt–Kurt, Berlin
2023	glass – hand formed matter, Finnish Glass Museum, Riihimäki
2023	glass – hand formed matter, Kunststiftung Sachsen-Anhalt, Halle
2022	glass – hand formed matter, Glass Factory Museum, Boda Glasbruk
2022	ausgespielt, Kunsthalle Bahnitz
2022	glass – hand formed matter, Kunstforum Gotha
2022	glass – hand formed matter, Bröhan-Museum, Berlin
2021	Der Komplex Arbeit, Kino Siemensstadt, Berlin
2021	Reading Window, RL 16, Berlin
2018	Im Schwarm der Objekte, Galerie Cité Internationale des Arts, Paris
2018	Pattern in Motion, Public Installation, Cité Internationale des Arts, Paris
2017	Gesten, Industriemuseum Chemnitz/Ars Electronica Futurelab, Chemnitz
2017	Skills, Kunsthalle Bennabor, Brandenburg
2017	Textile Matters, Maximilians Forum, München
2017	atb #66, After the Butcher, Berlin
2016	Women at Work, Edith-Russ-Haus, Oldenburg
2016	Monitoring, 33. Dokfest, Kulturbahnhof Kassel
2016	uni-form?, Haus der Brandenburgisch-Preußischen Geschichte, Potsdam
2013	Beautiful Minds, Kunst-Parcours, Campus Nord, Humboldt-Universität zu Berlin
2013	Cumuli. Zum Sammeln der Dinge, Kunstverein am Rosa-Luxemburg-Platz, Berlin
2012	Landscape of the Mind, Katherine E. Nash Gallery, Minneapolis
2012	Figur & Gestus, Kunstverein Zwischenzeit, Basel
2011	Paper Files, Galerie oqbo, Berlin
2010	Motorenwerke # 2, Galerie oqbo, Berlin
2010	Art of Engineering, Deutsches Technikmuseum, Berlin
2009–2012	Colossal – Art Fact Fiction, XII – Tuchmacher Museum Bramsche , Osnabrück
2008	16 Traumstücke, M.1 Arthur Boskamp-Stiftung, Hohenlockstedt
2008	Die Hände der Kunst, Museum Marta Herford
2008	Existence in a Letter, Cluster, Berlin
2008	Hand-haben, Maschinenhaus and Kunsthalle, Kiel
2007	Monitoring, 24. Dokfest, Kulturbahnhof Kassel
2007	OWL1, Museum Marta Herford
2007	Work in Progress, Kulturstiftung des Bundes: Arsenal – Institut für Film und Videokunst, Berlin
2007	Work in Progress, Galerie Alter Wiehrebahnhof Freiburg
2007	Work in Progress, Filmhaus Nürnberg
2007	Work in Progress, Kunsthaus Erfurt
2006	Between Body and Object, Museum Marta Herford
2004	Uwaga Berlin!, Baszta Czarownic, Video Lounge, Slupsk
2003	Goldrausch/03, Kunstraum Kreuzberg, Berlin

Lectures, Artist Talks, Screenings

2023	Dazibao, Montréal, “Enzyklopädie der Handhabungen: Braiding Gazes,” Artist Talk with Dr. Ji-Yoon Han and Anette Rose
2023	Kunststiftung Sachsen-Anhalt, Halle, “Glowing Matter,” Artist Talk with Prof. Dr. Hanne Loreck and Anette Rose
2023	Graphische Sammlung, ETH Zürich, “On Observing,” Talk with Prof. Dr. Michael Hagner, Anette Rose, Prof. Christoph Schenker, Thomi Wolfensberger
2021	Scharaun, Berlin, “Motion Studies,” Talk and screening with Andreas Bunte, Tom McCarthy & Anette Rose
2019	ZHdK, Zürich, Institute for Contemporary Art Research, “Capture, record and play,” (Lecture series: Working with the Camera at the Interface of Art and Ethnography), Lecture and Screening
2017	HfBK Dresden/Kunsthaus Dresden, “Pattern in Motion,” (Colloquium: The event of a thread), Lecture and Screening
2017	Kunsthaus Dresden/Kunstgewerbemuseum Dreden, “Pattern in Motion,” Artist Talk and Screening
2017	School of the Art Institute of Chicago, “The Implizit Knowlege of Labor,” Lecture and Screening
2017	Maximilians Forum, München, “How to Capture Textile Processes,” Artist Talk and Screening
2016	Edith-Russ-Haus für Medienkunst, Oldenburg, “Captured Motion,” Artist Talk
2016	HfBK Dresden, “Formen der Sichtbarmachung,” Lecture and Screening
2014	Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie, IKKM, Weimar “Techno-textiles: Between Hand Gestures and Machine Operations” (Annual Topic 2014/15: Framing/Sewing), Artist Talk with Carmen Alfaro Giner, Birgit Schneider and Iris Tzachili
2013	LMU, München, PhD Program ProArt, “Wie Kunst Wissen schafft” (Interdisciplinary Symposium: LaborARTorium), Lecture and Screening
2013	HU Berlin, Institut für Kulturwissenschaft, “Gesten, Gebärden, Handhabungen” (MA class, taught with Dr. Jasmin Mersmann)
2013	TU Dresden, Gesellschaft für Technikgeschichte, “Synchronisation at Work” (22. Annual conference: Die Sinnlichkeit der Technik), Lecture and Screening
2013	WHZ Zwickau, Fakultät für Angewandte Kunst, “Zwischen Hand, Werkzeug und Objekt,” (Interdisciplinary conference – Design-Erkundungen: Dinge im Kontext. Artefakt, Handhabungen und Handlungsästhetik), Lecture and Screening
2013	RWTH Aachen, HumTec Centre, “Gestures at work. In-Sync. On the coordination of hands, eyes, and materials in manual and industrial production processes and their asthetic representation” (Workshop: Gestures at Work), Lecture and Screening
2012	Europa-Universität Viadrina, Frankfurt / Oder, International Society for Gesture Studies, “16 Traumstücke” and “Enzyklopädie der Handhabungen” (4. International conference: Gesture – Evolution, Brain, and Linguistic Structures), Lecture and Screening
2012	RWTH Aachen, FB Künstlerische Gestaltung, “Greifen, betrachten und begreifen”, Lecture and Screening
2010	Europa-Universität Viadrina, Frankfurt/Oder, “Enzyklopädie der Handhabungen” (Gesture – Evolution, Brain, and Linguistic Structures), Lecture and Screening
2008	Universität Stuttgart, Deutsche Gesellschaft für Semiotik, Kulturwissenschaft, “Gestures” (12. International Semiotic Congress: The Concrete as Sign), Lecture and Screening
2002	Universität Hamburg, International Association of Word and Image Studies, “16 Traumstücke” (6. Konferenz: Orientations – Word & Image), Lecture and Screening
2002	University of Texas at Austin, First Congress of the International Society for Gesture Studies, “16 Traumstücke” (1. Kongress: Gesture – The Living Medium), Screening and Lecture

Publications

2022	Capture, Record and Play. Interview with Christoph Schenker and Anette Rose. In: Barbara Preisig/Laura von Niederhäusern/Jürgen Krusche (eds.): Trading Zones. Camera Work in Artistic and Ethnographic Research. Berlin: Archive Books 2022, pp. 50–67.
2017	Captured Motion, Berlin 2017.
2015	Anette Rose: Sichtbarmachung als Wissensproduktion. Zur künstlerischen Methode der Enzyklopädie der Handhabungen. In: Anna-Sophie Jürgens/Tassilo Tesche (eds.): LaborARTorium. Eine Medothodenreflexion, Bielefeld: transcript 2015, pp. 199–212.
2015	Anette Rose: Zwischen, unter, entlang und ringsherum. Zur Enzyklopädie der Handhabungen. In: Thomas Pöpper (ed.): Dinge im Kontext, Berlin/Boston: De Gruyter 2015, pp. 98–104 (text), pp. 106–117 (image series).
2012	Anette Rose: Greifen, betrachten und begreifen. In: Thomas H. Schmitz/Hannah Groninger (eds.): Werkzeug – Denkzeug. Manuelle Intelligenz und Transmedialität kreativer Prozesse, Bielefeld: transcript 2012, pp. 223–245.
2011	Enzyklopädie der Handhabungen. 2006–2010, Bielefeld: Kerber 2011.
2003	Ich fürchte, ich bin im Bild, Berlin: Goldrausch Künstlerinnenprojekt 2003.

Reviews and Catalogue Texts

2023	Ji-Yoon Han: Enzyklopädie der Handhabungen. Braiding Gazes. In: Momenta Biennale de l’image (ed.): Masquerades. Drawn to Metamorphosis. Bielefeld/Berlin: Kerber 2023, pp. 92–95.
2022	Kunstverein Bahnitz (ed.): ausgespielt, Bahnitz 2022, pp. 50–53.
2022	Anette Rose: Glowing Matter. In: Barbara Schmidt (ed.): glass – hand formed matter. Berlin 2022, pp. 154-155.
2019	Ines Lindner: Captured Motion. Bewegungsnotationen im Raum. In: Jana Bressem/Ellen Fricke (eds.): Gesten. Chemnitz: Universitätsverlag 2019, pp. 150–157.
2018	Judith Pichlmüller: Captured Motion. In: Kunst im Traklhaus (ed.): Im Schwarm der Objekte. Salzburg 2018, pp. 5–6.
2017	Jasmin Mersmann: Notationen in Bewegung. In: Anette Rose (ed.): Captured Motion, Berlin 2017, pp. 1,12.
2016	Vanja Sisek: Captured Motion. In: Edith-Russ-Haus für Medienkunst (ed.): Women at Work, Oldenburg 2016, pp. 13–16.
2013	Vanja Sisek: Enzyklopädie der Handhabungen. Modul # 15. In: Kleine Humboldt Galerie (ed.): Beautiful Minds, Berlin 2013, pp. 26–27.
2012	Ines Lindner: Synchronizations at Work. Anette Rose’s Encyclopaedia of Manual Operations In: Philippe Despoix/ Nicolas Donin (eds.): synchroniser/synchronizing. Intermédialités. Histoire et théorie des arts, des lettres et des techniques 19 (2012), pp. 157–159 (text), pp. 161–175 (image series, guest artist: Anette Rose).
2011	Isabella Hammer: Teure Damen, billige Schirme. Beobachtungen über Handfertigkeiten. In: Barbara Buchmaier/Andreas Koch (eds.): von hundert 7(2011), pp. 26–37.
2011	Ines Lindner: Minimalismus reloaded. Zur Typologie sozialer Tatsachen in Anette Roses Enzyklopädie der Handhabungen. In: Anette Rose (ed.): Enzyklopädie der Handhabungen. 2006–2010, Bielefeld: Kerber 2011, pp. 6–9, pp. 10–13 (engl.).
2009	Ines Lindner: Hand und Auge. Zur Enzyklopädie der Handhabungen. In: Landschafts- verband Osnabrücker Land e.V. (ed.): Colossal – Kunst Fakt Fiktion, Curator: Jan Hoet, Bramsche: Rasch 2009, pp. 206–213.
2007	Jule Reuter: Enzyklopädie der Handhabungen. In: Marta Herford (ed.): OWL1, Bielefeld (Kerber Verlag) 2007, pp. 69–73.
2007	Freunde der deutschen Kinemathek e.V. (ed.): Work in Progress, Berlin (b_books) pp. 304, 308.
2006	Jan Hoet: Videokunst zwischen Fremdheit und Begierde. In: Marta Herford (ed.): Zwischen Körper und Objekt, Herford 2006, pp. 6–7, pp. 38–39.
2003	Ines Lindner: Entfalten medialer Situationen. In: Goldrausch Künstlerinnenprojekt (ed.): Ich fürchte, ich bin im Bild, Berlin 2003, pp. 18–25.
2003	Christian Hanussek: what you lose on the swings, you gain on the roundabouts. In: Rüdiger Tomczak (ed.): shomingeki, film magazine No. 13/14, Berlin 2003, pp. 66–70.
2001	Petra Wezel: Im heimlichen Winkel der Seele. 16 Traumstücke. In: taz, 26. 02.2001, p. 12.